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Practica musica key finder2/23/2023 OL12817247W Page_number_confidence 82.52 Pages 328 Partner Innodata Pdf_module_version 0.0.15 Ppi 360 Rcs_key 24143 Republisher_date 20211006095605 Republisher_operator Republisher_time 523 Scandate 20210930081144 Scanner Scanningcenter cebu Scribe3_search_catalog isbn Scribe3_search_id 0299051803 Tts_version 4. Urn:lcp:practicamusicaeo0000gaff:epub:18a8cf66-a643-4d09-ae36-896e8ed27eb4 Foldoutcount 0 Identifier practicamusicaeo0000gaff Identifier-ark ark:/13960/t6wx9x514 Invoice 1652 Isbn 0299051803 Lccn 69016113 Ocr tesseract 5.0.0-beta-20210815 Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 0.9743 Ocr_module_version 0.0.13 Ocr_parameters -l eng Old_pallet IA-WL-1300120 Openlibrary_edition All the activities listed below are included in each copy of Practica Musica and can be accessed through the table of contents when the program opens.Access-restricted-item true Addeddate 05:06:32 Associated-names Young, Irwin, tr Bookplateleaf 0010 Boxid IA40823410 Camera Sony Alpha-A6300 (Control) Collection_set printdisabled External-identifier If an instructor has customized some activities for use with a class they can be uploaded to the class WebStudents account and the program can then open those, too, from the table of contents.Īctivities that do not specify pre-composed or library examples will all generate their example material at random so that it is new each time. From an aesthetic perspective, the key issue in Tinctoriss text is the. An activity that presents intervals, for instance, will choose intervals at random from the list of allowed types set in the activity description. practica was pretty much clear-cut by around 1500: music theory was to spec. An activity that generates melodies will create them anew for each problem attempt, and so on. ** Here is a list of Practica Musica v.7 activities and v.6 equivalents: activities chartĪctivities below are listed very roughly in order of increasing difficulty within each topic.Įar Training: Single Pitches Ear Training: Intervals Ear Training: Single Chords Ear Training: Scales Ear Training: Meter Ear Training: Melody: Pitch Only Ear Training: Melody: Rhythm Only Ear Training: Melody: Pitch and Rhythm Together Ear Training: Chord Progressions Ear Training: Hearing Form, Texture, Other Characteristics in Precomposed Examples Activities scored for points will all mark errors or otherwise inform you of the error, and all will store their scorekeeping records within your personal file. in Precomposed Examples Theory: Notational Devices Theory: Composition Theory: Note Reading: Single Pitches Theory: Pitch names Theory: Intervals Theory: Transposition and Inversion Theory: Single Chords Theory: Chord Progressions Theory: Scales and Key Signatures Theory: Meter Theory: Note Reading: Intervals Theory: Note Reading: Rhythm Reading Theory: Note Reading: Melodic Pitches Theory: Note Reading: Melodic Pitch and Rhythm Together Theory: Voice Leading Theory: Analysis of Harmony, Texture, etc. (Also listed under Theory: Reading Single Pitches) 4 levels: naturals, with accidentals, in key signatures without accidentals, in key signatures with accidentals. A note is displayed and heard, you must simply repeat it. This could be either a keyboard pitch-finding exercise or a singing exercise. Has 4 levels: 2nds, 3rds, 4ths-5ths, 6ths-7ths. You can choose clef and key.Ĭustom Pitch Matching. Also listed under Ear Training: Intervals. Play the second of two heard notes, first is displayed. You can choose the intervals to be heard, and you can choose the clef and key.Ībsolute Pitch. Identify pitches by ear, choosing with limited multiple-choice boxes. *Caveat: it is not certain that everyone can acquire absolute pitch (often called "perfect pitch") - not all trained musicians have it and there may be a genetic component involved. The absolute pitch exercises should be optional, while a good sense of relative pitch is something that most people can acquire with practice.Ĭustom Absolute Pitch. Identify pitches by ear via multiple choice, with choice of pitch materials. See above caveat re absolute pitch.įind Absolute Pitches. 4 levels: naturals, with accidentals, in key signatures without accidentals, in key signatures with accidentals. This is an absolute pitch exercise that also involves key signatures in its later levels.
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